He began writing songs and collaborating with many musicians from his past and newer fans, to develop a solo album, Mystery Girl. Mystery Girl was co-produced by Jeff Lynne , whom Orbison considered the best producer he had ever collaborated with. It posthumously rose to No. The song was originally recorded on a stereo cassette player around Orbison's sons contributed instrumentation on the track along with Roy's vocals; it was produced by John Carter Cash. Although the video for the Wilburys' "Handle with Care" was filmed with Orbison, the video for " End of the Line " was filmed and released posthumously.
During Orbison's vocal parts in "End of the Line", the video shows a guitar in a rocking chair, next to Orbison's framed photo. Orbison determinedly pursued his second chance at stardom, but he expressed amazement at his success: "It's very nice to be wanted again, but I still can't quite believe it. In the final three months of his life, he gave Rolling Stone magazine extensive access to his daily activities; he intended to write an autobiography and wanted Martin Sheen to play him in a biopic. Around this time, Orbison confided in Johnny Cash that he was having chest pains.
He went to Europe, was presented with an award there, and played a show in Antwerp , where footage for the video for "You Got It" was filmed. He gave several interviews a day in a hectic schedule. A few days later, a manager at a club in Boston was concerned that he looked ill, but Orbison played the show, to another standing ovation. Exhausted, he returned to his home in Hendersonville to rest for several days before flying again to London to film two more videos for the Traveling Wilburys.
On December 6, , he spent the day flying model airplanes with his sons and ate dinner at his mother's home in Hendersonville. Later that day, he died of a heart attack , at the age of A memorial for Orbison was held in Nashville, and another was held in Los Angeles. On April 8, , Orbison became the first deceased musician since Elvis Presley to have two albums in the US Top Five at the same time, with the Traveling Wilburys album at number 4 and his own Mystery Girl at number 5.
Rock and roll in the s was defined by a driving backbeat , heavy guitars, and lyrical themes that glorified youthful rebellion. The structure and themes of his songs defied convention, and his much-praised voice and performance style were unlike any other in rock and roll. Many of his contemporaries compared his music with that of classically trained musicians, although he never mentioned any classical music influences.
Peter Lehman summarized it, writing, "He achieved what he did not by copying classical music but by creating a unique form of popular music that drew upon a wide variety of music popular during his youth. Music critic Dave Marsh wrote that Orbison's compositions "define a world unto themselves more completely than any other body of work in pop music". In the s, Orbison refused to splice edits of songs together and insisted on recording them in single takes with all the instruments and singers together.
Otherwise, each seems to follow a separate structure. Using the standard thirty-two-bar form for verses and choruses, normal pop songs followed the verse-chorus-verse-chorus-bridge-verse-chorus structure. I'm sure we had to study composition or something like that at school, and they'd say 'This is the way you do it,' and that's the way I would have done it, so being blessed again with not knowing what was wrong or what was right, I went on my own way So the structure sometimes has the chorus at the end of the song, and sometimes there is no chorus, it just goes But that's always after the fact—as I'm writing, it all sounds natural and in sequence to me.
Elton John 's songwriting partner and main lyricist Bernie Taupin wrote that Orbison's songs always made "radical left turns", and k. The Nashville session guitarist Jerry Kennedy stated, "Roy went against the grain. The first time you'd hear something, it wouldn't sound right. But after a few playbacks, it would start to grow on you.
Critic Dave Marsh categorizes Orbison's ballads into themes reflecting pain and loss, and dreaming. A third category is his uptempo rockabilly songs such as "Go!
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In concert, Orbison placed the uptempo songs between the ballads to keep from being too consistently dark or grim. In , Colin Escott wrote an introduction to Orbison's biography published in a CD box set: "Orbison was the master of compression. Working the singles era, he could relate a short story, or establish a mood in under three minutes.
If you think that's easy—try it. His greatest recordings were quite simply perfect; not a word or note surplus to intention. The loneliness in Orbison's songs that he became most famous for, he both explained and downplayed: "I don't think I've been any more lonely than anyone else Although if you grow up in West Texas, there are a lot of ways to be lonely.
Robin Gibb of the Bee Gees stated, "He made emotion fashionable, that it was all right to talk about and sing about very emotional things. For men to sing about very emotional things Before that no one would do it. Orbison admitted that he did not think his voice was put to appropriate use until "Only the Lonely" in , when it was able, in his words, to allow its "flowering". Bruce Springsteen and Billy Joel both commented on the otherworldly quality of Orbison's voice.
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Dwight Yoakam stated that Orbison's voice sounded like "the cry of an angel falling backward through an open window". To me that was the voice of God. With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. With him, it was all about fat and blood. He sounded like he was singing from an Olympian mountaintop. He sang like a professional criminal His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it'.
Likewise, Tim Goodwin, who conducted the orchestra that backed Orbison in Bulgaria, had been told that Orbison's voice would be a singular experience to hear. When Orbison started with "Crying" and hit the high notes, Goodwin stated: "The strings were playing and the band had built up and, sure enough, the hair on the back of my neck just all started standing up. It was an incredible physical sensation. His voice melted out of his mouth into the stratosphere and back.
He never seemed like he was trying to sing, he just did it. His voice ranged from baritone to tenor , and music scholars have suggested that he had a three- or four-octave range. Orbison's severe stage fright was particularly noticeable in the s and early s. During the first few songs in a concert, the vibrato in his voice was almost uncontrollable, but afterward, it became stronger and more dependable. Orbison noticed that he was unable to control the tremor in the late afternoon and evenings, and chose to record in the mornings when it was possible.
Orbison often excused his motionless performances by saying that his songs did not allow instrumental sections so he could move or dance on stage, although songs like "Mean Woman Blues" did offer that. I mean, you could put workers like Chubby Checker or Bobby Rydell in second-rate shows and they'd still shine through, but not me. I'd have to be prepared.
People come to hear my music, my songs. That's what I have to give them. Lang compared Orbison to a tree, with passive but solid beauty. Being that he was so grounded and so strong and so gentle and quiet. He was just there. His parents worked in a defense plant; his father brought out a guitar in the evenings, and their friends and relatives who had just joined the military gathered to drink and sing heartily. Orbison later reflected, "I guess that level of intensity made a big impression on me, because it's still there.
That sense of 'do it for all it's worth and do it now and do it good. From Wikipedia, the free encyclopedia. Not to be confused with Joy Orbison. American singer-songwriter. Rock pop country. Main article: Roy Orbison's Sun Recordings.
The ending of "Running Scared" features Orbison's natural voice hitting high A natural. You were going down. Roy was the coolest uncool loser you'd ever seen. With his Coke-bottle black glasses, his three-octave range, he seemed to take joy sticking his knife deep into the hot belly of your teenage insecurities.
All his vocal gymnastics were just a means to a powerful end, not a mission unto themselves. Roy Orbison didn't just sing beautifully—he sang brokenheartedly. Main article: Roy Orbison discography. One of the Teen Kings later stated that the band did not meet Cash until they were on tour with him and other Sun Records artists. The Authorized Roy Orbison. Orbison, Wesley,, Orbison, Roy Jr. New York: Center Street. Rolling Stone. Retrieved August 15, The Official Roy Orbison Site. Archived from the original on April 1, Retrieved April 12, MusicAngle Interview.
Interviewed by Michael Fremer. Archived from the original on July 14, Retrieved February 8, Rock and Roll Hall of Fame. Retrieved May 21, Roy Orbison Was Blind". Archived from the original on July 11, Retrieved July 4, The Beatles Anthology. Retrieved August 29, Archived from the original on February 19, Retrieved July 1, Retrieved June 16, The Official James Burton Website. The Guardian. Retrieved October 7, April 8, Archived from the original on March 22, Retrieved March 22, October 5, Music News Net.
The New York Times. Nashville Songwriters Hall of Fame. Archived from the original on January 2, Retrieved May 30, Retrieved April 29, Backbeat Books. February American National Biography. Retrieved May 20, April 15, Archived from the original on May 6, Retrieved June 2, November 27, Retrieved October 3, — via Rolling Stone website. Songwriters Hall of Fame. Archived from the original on January 30, Retrieved on January 31, This audio file was created from a revision of the article " Roy Orbison " dated , and does not reflect subsequent edits to the article.
Audio help. More spoken articles. Roy Orbison. Class of '55 Traveling Wilburys Vol. Book Category. Awards for Roy Orbison. Kennedy Goddard Lieberson producer — John F. Murrow — Edward R. Murrow - A Reporter Remembers, Vol. Rock and Roll Hall of Fame — Class of Traveling Wilburys. The Traveling Wilburys Collection. Namespaces Article Talk. Views Read Edit View history. In other projects Wikimedia Commons.
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